CHINA Edition
Hungarian Edition
Icons of the Movies showcases the extraordinary talent of Zoltán Rónaszéki, an artist who turns discarded metal into stunning sculptures of iconic movie characters.
Born in 1994 in a small Hungarian village, Rónaszéki‘s journey into the arts began with a deep-rooted passion for creativity. His latest exhibition, a collaboration with László Erdős, producer of the exhibiton, is more than just an artistic endeavor; it’s a testament to their shared vision of environmental responsibility.
Rónaszéki‘s sculptures are born out of a long-time experience from his previous life as a car bodywork specialist. With ties to numerous auto repair shops and a network of mechanics, he acquires his raw materials around Bakony, Veszprém and Győr, where they collect metals for him what would otherwise be waste. It’s a local effort with a global impact, emphasizing the importance of recycling in today’s world, something that Rónaszéki and Erdős proudly advocate for. This commitment aligns seamlessly with the ethos of ORIGO Studios, where they’ve recently shot a teaser for the exhibition in one of the new soundstages.
“This is not only an artistically exciting, but also a really sustainable project. We are proud of this aspect, because we believe sustainable practices are of key importance today. ORIGO Studios are a pioneer of green solutions, so they welcomed our exhibition without hesitation”, explained László Erdős to BPR.
The exhibition has already seen a successful stint in Athens, indicating the universal appeal of Rónaszéki‘s work. The goal is ambitious: to take “Icons of the Movies” to the United States, Asia, and culturally rich European nations. As the collection grows, with plans to unveil new themes annually, the next exciting chapter is set to feature ‘Fantasy Animals’, expanding the creative horizon further.
In addition to his own two hands, the artist exclusively uses a welding machine and an angle grinder to create the sculptures. However, creating these metallic masterpieces is no small feat. Rónaszéki describes the process as intensive and time-consuming:
“Size exponentially increases the duration of a project. My biggest work in terms of time was Mirage from Transformers. I’ve spent 3 months working on that, which means 5 days per week, 8 to 10 hours a day, not including planning and designing the sculpture. But not all projects take that much time, usually it’s around anywhere between 1.5 to 2 months.”
The exhibition is more than just a display of artistic talent; it’s a movement. Rónaszéki and Erdős are not just showing us art; they’re inspiring us to see the potential in the discarded, to find beauty in the reclaimed, and to recognize the power of creativity in fostering a greener world.
